|Posted by Page2Stage Entertainment. on December 23, 2014 at 10:10 PM||comments (0)|
SEATTLE SHOWCASE: A Fresh New Look at the Classic Story of 'The Wonderful Wizard of Oz'
There is a new Oz, it's landed in Seattle, and it's "wonderful!"
The Wonderful Wizard of Oz: A New Musical plays the Historic Everett Theatre, 2911 Colby Ave., now through Nov. 23.
This version pays closer attention to the original stories by L. Frank Baum, including Baum's own 1902 musical based on his first Oz book.Kirkland Music Academy faculty wrote the show, and credit goes to Page2Stage Entertainment and Full House Productions, along with the creative team of Michael Gershowitz, Joshua Sibley, Tatiana Kruse, Ryan Brown, Susan Heale and CJ Wood.
|Posted by Page2Stage Entertainment. on December 23, 2014 at 10:05 PM||comments (1)|
A timeless and endearing story, most of us have seen the 1939 MGM movie version of the Wizard of Oz. This new adaptation, written by Michael Gershowitz. This retelling takes us on a magical journey to the land of Oz: an adventure full of talking creatures, magical beings and intrigue. Not to mention, a beautiful love story! The wicked antics of the Witches of the East and West, the capers of the Scarecrow, Tin Man and Lion who save the day more than once, the shenanigans of the flying monkeys and Old Crow-- all combine for a lively fable of adventure, love and family.
|Posted by Page2Stage Entertainment. on December 23, 2014 at 10:00 PM||comments (0)|
Everett musical goes back to the original land of 'Oz'
Kiya Coon, as Dorothy, and Matthew Glazener, as the Lion, star in “Wonderful Wizard of Oz: A New Musical” at the Historic Everett Theatre.
Kiya Coon, as Dorothy, and Matthew Glazener, as the Lion, star in “Wonderful Wizard of Oz: A New Musical” at the Historic Everett Theatre.
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By Gale Fiege, Herald Writer
EVERETT — Through Nov. 23, the Historic Everett Theatre is in the land of Oz.No, not the Oz of the classic 1939 MGM movie, or even the musicals “The Wiz” or “Wicked.”“The Wonderful Wizard of Oz: A New Musical” pays closer attention to the original stories by L. Frank Baum, including Baum's own 1902 musical based on his first Oz book.Kirkland Music Academy faculty wrote the show, and credit goes to Michael Gershowitz, Joshua Sibley, Tatiana Kruse, Ryan Brown, Susan Heale and CJ Wood.With new music and more back story, this musical is a world premiere in progress, said Jason Goff, an Everett actor who plays the Wizard of Oz.“We really are work-shopping the show, but it's going to be great. The music is awesome,” Goff said. “And Everett audiences will be able to say they saw it first.”Goff, 41, is known locally through his work with Northwest Savoyards, an Everett-based musical theater company now on hiatus. He studied voice at Everett Community College.Along with performing as the Wizard, Goff is the show's narrator.“Acting and singing have been great for me,” he said. “I need this activity.”Goff was working construction in 2000 when he fell 20 feet. He hit concrete pavement and was punctured by rebar. Soon after he battled skin cancer and is now dealing with Crohn's disease.“Still, I have a lot to be grateful for,” he said. “I'm still alive and I hope to perform for the rest of my life.”Goff's construction skills came in handy as the cast built the musical's set for the run at Historic Everett Theatre.“The set is minimalist, but it looks good,” Goff said.“We really hope people will come out to support this new work.”Gale Fiege: 425-339-3427; firstname.lastname@example.org. Twitter: @galefiege.
|Posted by Page2Stage Entertainment. on January 27, 2011 at 2:35 PM||comments (0)|
Angelo Thomas's BlogspotAngelo Thomas's Oz Blog.
Wednesday, January 26, 2011 Exclusive Interview with Page to Stage Entertainment After a two week absence from the web. Today, I interviewed the folks from Page to Stage Entertainment, the company who is working on "The Wonderful Wizard of Oz: A New Musical".
They gave us an inside scoop on the production.
1.) What's the goal in working on this musical? (By that I mean, are you hoping to get it on Broadway, tour, etc.)
All of the above. What we are hoping to do is tour in various cities across the country, starting in Seattle and ending in New York City. Two of the places we are putting on the list are Chicago, and Topeka Kansas. We plan to end in NYC at the American Theater of Actors which is the same off Broadway space that the famous musical Urine Town started before it headed to Broadway a month later.
2.) What is the musical about?
It's the Wonderful Wizard of Oz, but not the way MGM or even the producers of the 1902-1914 stage show produced. Our retelling of this story is true to the book, and to the spirit of the books that Baum himself wrote. We dive deeper into the character of the creatures, people, and situations that Baum created. We learn at the beginning of the show that the writer, Baum, has a very, very ill niece. Baum tells her the story of the Magical Land of Oz, placing her into the tale through the character of Dorothy Gale. The scene then changes to a run down farm in Franklin Kansas with Dorothy Gale, an Orphan, and her dog Toto. They are sent to live with her mother's Twin sister, Emily Blue, who married her school beau Henry Blue and stayed on the farm with him. Dorothy's mother had married a Wealthy Merchant and moved to the city of Topeka. Dorothy has done the reverse of the Cinderella tale. She's gone from living a comfortable life, to living a life on the desolate Kansas Prairies with relatives she hardly knows. Her Aunt and Uncle are much to busy to pay her or Toto any mind, or to give her the love she yearns for.
A cyclone then hits the farm, rips up the house and sucks it up into space. We then move to the Land of the East in Oz where the Blue colored Munchkins are being attacked by the Witch of the East. As the witch is hitting them with a cat of nine tails, Dorothy's farmhouse falls from the sky and lands on her, leaving only her SILVER SHOES, not Ruby, but Silver. The house falls, she's killed, and the Munchkins rejoice. Dorothy steps out of the house with Toto, and they are greeted by Locasta the Good Witch of the North (Gilliken Country). She gives Dorothy the silver shoes, and a protective kiss, before asking for advice from her sister Glinda, the good witch of the South (Quadling Country). Glinda tells her to send the child to the Wizard of Oz in the Emerald City. Dorothy is given a map, and a Diamond ring by the mayor of the town now that the East witch is dead. In the Land of the West (Winkie Country.)
The Witch of the West learns of her sisters death and vows revenge on Dorothy and the Wizard of Oz. Dorothy picks up the Scarecrow, who tells her that he was "Munchkin Made" and has no Brains. He joins her on the Road of Yellow Brick and as they travel, the Witch of the West follows behind and bullies Boq and Milla for information about Dorothy. Dorothy and the Scarecrow then find Nick Chopper (Tin Woodsman) rusted a few feet away from his half built cottage. Dorothy and Scarecrow use his Oil Can to oil him up, and he tells them of his sad story. He was in love, and the Witch of the East used his ax to cut him up and rip out his heart. Dorothy and Scarecrow invite him to join them along the road of Yellow Bricks. As they walk, a large Lion jumps out, and attacks them until Dorothy punches him in the face for trying to eat Toto. We learn that the lion lost his pride to the Witch if the West's Winkies, because he told them to fight and not to hide. He tells the three that he was rescued from the Witch by a man in a top hat and a Balloon. Dorothy talks him into asking Oz for Courage and they're soon off to find the Emerald City of Oz.
While the Witch of the West continues to follow them, they are attacked by Kalidahs near the Munchkin River and have to escape on a raft that Nick Chopper builds. They get sucked towards a whirlpool, and Scarecrow is stuck in the middle of the river until he is rescued by a stork. The lion jumps into the water and rescues the rest of them as he does in the book.
They are then attacked by Sexy Poppy Girls and their queen, and are rescued by Locasta, (like in the 1902 stage show). We have a dance fight with the Poppy's and Jack Frost and his men. The four reach Emerald City, are given Green Glasses to wear, and are shown around by the Soldier with green whiskers. They see the wizard of oz one at a time and are all told to KILL the witch. Not bring back her broom, but kill
her. This ends Act One.
This should at least entice you to want to hear or see more.
3.) How has it been working on the project?
Great at times, hard at others. Michael's been working on these drafts of whats been in his mind since he was 12 years old. Mr. Gershowitz was first introduced to the Wizard of Oz at age three, by his older sister and her best friend. They had their own theater company at the time. Michael has been working in theater since age 12, and on film since he was 17 years old. The hardest part for us has always been the money. Putting up your money and having friends and family help you out is cool, but at times hard. When you feel like you have a great idea, and product out there, you're limited by money. The three best people, besides his family and friends, who looked out for the project from the beginning are Ricardo Cordero, Elies Stimach, and Susan Bucci. They have been with us from the beginning, as part of putting together the new york readings, and reviewing and working on the script. We also need to mention three special Dorothy's, Jessica Rios, who was the first of the first new york Dorothy's, Lauren Lesnick, the second Dorothy, and Grace Woody, the current Dorothy. These three women have made the role of Dorothy their own, and have filled the one dimensional gap that most actresses fall into by trying to bite off of Judy Garland. Michael has also picked up two great guys to work on this project with. One, a great musical theater guy, composer, singer, writer and business partner, Casey Wood, and two, Lindsey Cunningham, a wonderful and creative costumer, co-producer, and lyricist. All of us put a little of ourselves into the script and its music. We've been working on this production since 2007, and had a public reading in Seattle in 2009. Margaret Pellagrini, one of the original MGM munchkins, came to the last weekend of the readings and signed photos, spoke with the audience, and had a meet and greet before and after the readings. It was great. The new poster design is by an up and coming artist named Jon Hammond. We are using music from the original Broadway show (which ran from 1904-1914) along with the new songs by Casey Wood, featuring lyrics by Casey Wood, Lindsey Cunningham, and Michael Gershowitz. We also have William Berloni interested in training one or two of his Toto's for our show. Overall we've gotten to meet and work with great creative people by doing this, and we feel like our Oz projects bring out the best, and most creative part of the people involved.
4.) What do you think fans can expect from the musical?
Fans can expect to see there favorite scenes from the original Oz book on stage, and for those scenes to have the feel of the books, and not the film. We have great scenes, wonderful creatures, and amazing characters that everyone will enjoy seeing come alive on stage. Also, the biggest thing is we have made Dorothy's back story and the stories of the three guys more prominent then ever before. Yes, Wicked the book, and musical has done that. But we are going back to the books, and using what Michael, as the writer, has found from the later books to use as a jumping off point. You get to see themes and scenes that most people either have forgotten about, or don't know, and the music is strong (you can hear it at our website at wwozanewmusical.webs.com). You can't go wrong with silver shoes, and Gothic, hot sexy wicked witches, can you?
I'd like to thank Michael Gershowitz, Casey Wood, Gamon Michaels, and the rest of the folks over at Page to Stage for agreeing to do this interview.
|Posted by Page2Stage Entertainment. on January 3, 2011 at 2:49 AM||comments (0)|
Wizard of Oz (Dir. Michael Gershowitz - Reading of Classic tale with additions from movie and other media. Presented in August, 2002)
BEST PROFORMER IN A READING:
Susan Bucci - Wizard of Oz - August, 2002 & Halloween Festival (Miss Gulch/ Wicked Witch)
Michael Gershowitz - Wizard of Oz - August, 2002 (Boq/Nikko/ Wizard Of Oz.)/ Halloween
Festival (Cowardly Lion; Boq Mayor)
Jessica Rios - Wizard of Oz - August, 2002 & Halloween Festival (Dorothy Gale)
Sabastion Susnowski - Wizard of Oz - August, 2002 & Halloween Festival (Scarecrow Hunk)
The Wonderful Wizard of Oz (Dir. Michael Gershowitz)
BEST PROFORMER IN A REDING:
SUSAN BUCCHI - Wizard of Oz (Miss Gulch/ Wicked Witch)
|Posted by Page2Stage Entertainment. on December 4, 2010 at 3:12 AM||comments (0)|
The Wonderful Wizard Of Oz
(A Musical Staged Reading)
Adapted and directed by Michael Gershowitz
Theatre M Sun. 10/27 10:30am; Sun. 11/3 10:30am
After the passing of her parents, Dorothy Gale goes to live with her aunt and uncle in Franklin, Kansas. After living in Kansas for almost a year Dorothy and her dog Toto are whisked away by a cyclone to the World of Oz. Dorothy meets a talking tin man a dancing scarecrow, a cowardly lion and a pair of the most elegant slippers. She sets off with her friends towards a city of emeralds. She finds herself changing and growing spiritually and by the time her musical journey is over she has finally found a place in her aunt’s heart and a place called home. $7 for adults and $5 for children
|Posted by Page2Stage Entertainment. on November 28, 2010 at 1:43 AM||comments (0)|
AWARD PREMIERE READING OF
based on the original book (The Wonderful Wizard of Oz.) by Baum, with
new and rearranged music by Casey Wood, Michael Gershowitz, Lindsey
Cunningham, L. Frank Baum, Paul Tierjen. with book by Michael
Gershowitz and Casey Wood.
February 27th and 28th @ 4:30 pm and March 1st @ 3:00pm & March 6th and 7th at 4:30 pm and 3:00 pm on the 8th. On March 6th, 7th & 8th Original MGM Munchkin Margaret Pellegrini will be attending, to meet and greet guests before, during, and after the performances. For more info contact the producers and director at M.GerSHOWitz.Productions@gmail.com or order tickets at: www.brownpapertickets.com & 1800-838-3006.
|Posted by Page2Stage Entertainment. on November 28, 2010 at 1:27 AM||comments (0)|
The Seattle Metropolitan Magazine.
Somebody decided to make a new musical out of The Wizard of Oz using the original, long-running 1902 stage version as inspiration. I wouldn’t wish that chore on my worst enemy—“Hey, can you write a memorable song for Dorothy?”—but I am dying of perverse curiosity until this Sunday’s staged reading. And let’s be fair: The Wiz didn’t sound like a good idea at the time, either, but I could name “Ease on Down the Road” in three notes now (and so could you, Butch, so keep your wisecracks to yourself).
|Posted by Page2Stage Entertainment. on November 5, 2010 at 1:23 AM||comments (0)|
Munchkin for Life
An Oz veteran lands in the Emerald City.
By Steve Wiecking
Photo: Lindsay Borden
Lollipop gal: Pelligrini played a Sleepy Head in Oz.
Margaret Pelligrini busts out of an eggshell bed during “Ding Dong! The Witch Is Dead” in the 1939 movie classic The Wizard of Oz. She and her fellow Munchkins got paid $50 a week plus room and board. “Toto made more money than we did,” she said during a visit to Seattle in March. “He had a better agent.”
At any rate, that fantasy land had to be warmer than Post Alley’s Market Theater, where Pelligrini, at 85 the youngest remaining Munchkin, shivered inside her costume on a cold day before greeting the matinee audience of a new musical production called L. Frank Baum’s Oz.
Pelligrini entered her Oz when she was just 15. A chance meeting with some well-connected little people at the Memphis State Fair led to a call from a Hollywood agent and an eight-week stint at MGM Studios, where the fetching youngster distracted her same-sized coworkers. “A lot of them were fighting to see who was gonna take me out,” she recalled. She caught the eye of a fellow from the Lollipop Guild but the Coroner—you know, the one who verifies that the Wicked Witch of the East is “not only merely dead but really most sincerely dead”—got a date and gave her a one-pound box of Whitman’s candy. And not many people can boast a teenage job that lasted a lifetime: Pelligrini estimated she attends Oz-related events at least seven months out of the year. “Once I leave here,” she said, “I’m already booked in Florida at a shopping mall.”
Thanks for reading!
Published: May 2009